while still popping up on the likes of delusions of grandeur and mister saturday night, nebraska has been lately channeling much of his energy into his emergent friends & relations label as a vessel for his own productions. this third installment on the label kicks off with the warm, honey-coated chords of rien ne vas plus, which rides on an easy groove and lets the keys sing out in a hazy summer reverie. the version follows suit with a similar disposition, while both takes on dont you know on the b side deal in a common goal to gently coax all kinds of woozy soul sounds through a laid back house framework.

young adults return to the fold with another gem from the polish underground. having bubbled up in the polo house scene for the last couple years, 2017 finds richu m stepping into the forefront for his debut outing donor goes to hawaii . rhythm-centric, but varied in approach, the 6-tracker traverses swirling techno, heady thumpers, muddy beatscapes and throwback boom bap. simultaneously airy and off-kilter, the release shows a breadth of approach that is not easily pigeonholed, but feels vaguely familiar. opener round soundtracks a laser tag pursuit scene with swayed synths, chattering percussion, and pitch-shift vocal echoes. the title track donor goes to hawaii takes a dilla bounce kit to the beach and gets the vibraphone and organ all sandy. jazzy piano loops and squelchy synths stack wobbly layers high like jenga blocks on aquarian mummies . pistaccio gets subterranean with infectious skittered patterning and a proper bump to boot. picking up the pace, melting dolphins is a funky floor filler. finale landskates blisses out with floating pads and a meditative drumroll.

the new album including 10 new tracks out september 4th 2017 worldwide on vinyl & cd on jam. we believe music shouldn not be explained or overanalyzed. we would rather avoid too many useless words. just press play and listen to it.

die orakel presents three spaced out excursions by koehler.

pablo cahn is a talented producer hailing from and currently residing in bogota, colombia. “soul rain” is his third release on cadenza, and it comes with a massive remix by the spanish don paco osuna. the original mix of pablo is a long attractive dance floor tune textured by an overwhelming bass line and a deluge of vocal grains that shapes a large number of fills and break downs all over the track. as the journey go further, a complex twist of harmonies and resonances arise from the rhythmic grounds, shining over a blissful body of beats. paco osuna’s remix recap all the rhythmic elements and shrink the vocal drizzle maintaining their relevance to the building of the track. the bare inter-twin of its relentless bass line and its stinging hi-hats works out a magnificent outbreak of the dense original tissue of chords.

lewis fautzi hands in his fourth ep for figure yet, a collection of tunes that interlock seamlessly in a gradual progression, displaying the producers accurate skill of tailor-made tools for every energy-level. starting out with two elastic grooves, the a-side carefully sets the scene for what is yet to come later on. careful layers of rich acid riffs, precise placement of atmospheric details and fine-tuned textures - this clearly is the work of a burgeoning producer on top his game. keeping the finesse, but amping up the oomph, the b-side bursts with two heavy hitters that pull out all the stops. stomping, booming and driven by wild percussion, these tracks are sure to stir up a frenzy.

first ep of the label lowlife cartel. dissociative tones, texture of the sound and atmosphere sought here, more than melody. no boundary in genre but same sonic ethos. the two sides of the ep includes two tracks ambient/downtempo fitting with patient listening. three other, lofi tracks, and more efficient to play into clubs. face a starts with -nerve splicing- by telekommunist, also known as wpx7, face covered and steps muffled through a deadening blizzard of tape saturation and white noisey envelops that find a balance between deepening the sense of immersion and a retained groove. -kairu- by a. latif, affiliated to the experimental and elusive russian label john s kingdom. an arsenal of textures are employed, surrounded all the time by different kind of breeths carving out a growingly satisfying contrast between the shivery charm of its melodic line and the roughness of its elements. a rough diamond. face b, -kfs-, by vslds (present on the next cousin carl release, after kinway and voyd) is a delusional and abstract piece of lofi hip hop. setting skittish drums and heavily altered rapper vox sample, smothered against a grey-ish canvas of blurry, washed-out pads. this feels both playful and unhealthy. -gotta go fast-, by paul santangelo (venetian causeway), is marked with the very personal style of this artist who does his way across the ever effervescent lofi techno scene. the round, drag-shed bass, fits with an introspective melody and atmosphere. -every man has a woman who loves him-, by loophie (raw russians), surprises the listener at the end of the disc with a lofi house track sampled from john lennon, very effective in club. the czech lofi house videomaker moskalus edited a video of it on his youtube channel. 5 artists to follow.

since releasing his last album on hypercolour in february 2016 (æyou existÆ), dmx krew has not for one moment rested on laurels, releasing two further lps on the ekster and abstract form labels, as well as eps and singles for central processing unit, shipwrec, revoke and more. continuing to remain faithful to the roots of electro, idm and the deeper shades of techno, and without compromise, dmx krew cranks out emotive and brain scrambling electronica at a mighty rate, and never disappoints. æstrange directionsÆ is album number 21 from dmx krew, and lands once more on hypercolour, the british label that continues to make heady waves in the music scene with genre shifting releases from the like of matthew herbert, luke vibert, gary gritness, the cyclist, outboxx and a sagittariun in the last 12 months alone. youÆll know what kind of ride you are in for from the first few bars of album opener æsnowy blueÆ, hypnotizing bass and spatial keys float over dusty micro breaks, produced with an infectious aesthetic that continues over the long playerÆs fifty-five minute tenure. experimental and expansive joints such as æodd chillÆ and æstrange directionsÆ sit comfortably alongside funkier techno jams such as æthin hypeÆ and æzero sumÆ, whilst the melancholic synth sensibilities of tracks like æhip hopelessÆ and æaxial mode beatÆ catches dmx krew on fine form.

in what might be something of an unexpected reissue move, early rave belter -sweetness & light- from australian duo itch-e & scratch-e gets a fresh airing for the 21st century no less than 25 years after it first landed in a hailstorm of bright melodic lines and raucous tempo. in its original form -sweetness & light- is everything you could possibly want from an early trance stormer, all plush layers of harmony reaching an emotional crescendo over an irrepressibly bouncy beat. the -for life- remix meanwhile flips the script with a blissed out, chord-heavy version that slows the pace right down, possibly for the original fans of the tune who need things a little slower now.

as is the case with fellow ‘enforcers’-turned-producers, henry ‘junjo’ lawes and philip ‘fatis’ burrell, george phang had been involved in the internecine street battles that had split kingston into rival politically-aligned zones during the 1970s, when the broader effects of cold war politics were played out in jamaica. following some encouragement from sly and robbie, phang changed focus, putting the politics aside to concentrate on music production, becoming one of the most important producers of the early 1980s in the process. phang took over the rhythm twins’ power house label around 1982, and with the duo forming the mainstays of his productions, the result was guaranteed audio dynamite, as this killer devotional track by barrington levy from 1983 so amply suggests—a beautiful extended slice of late roots, heading towards the emerging dancehall style.

converpilations is a series of v/a compilation releases from new label, online conversations - a label based straight out of the world wide web. vol.1 kicks things off with oddities from szch, d. tiffany, saki, and tlim shug.

london s sugarhouse crew have already made some waves with their first two releases, and now the gang are back with round three of their soul-drenched deep house adventures. this time it s maurice jnr and seb miguel teaming up for three crucial jams, each with something different to say. -deebo s quest- is rich with aqueous pad tones and a slick set of drums that shuffle just the way you want it, while -science of life- takes a distinctly detroit-influenced approach that wouldn t sound out of place on mahogani music. that leaves it to -lovin u- to round the ep out with a warm, upbeat roller for those who like their house loaded with passion.

celebrating its 10 years label anniversary permanent vacation releases a top-notch package of 16 brand-new tracks by their main artists including john talabot, tuff city kids, mano le tough, tensnake, red axes, pional and many more. plus special guest joakim, who contributed the track camino de la luna, paying homage to his classic remix for antena s camino del sol, the first big hit on the label 10 years ago.

violinbwoy’s debut full length album is nearly here. the 12-track lp entitled “dod” will be released in october by moonshine recordings.
in the meantime check out this massive single to see a glimpse of what is coming. supported by the ones of iration steppas, o.b.f, v.i.v.e.k., radikal guru, ishan sound just to name a few.

mtr024cd + mtr11 (12” + cd) = 2xcd + 1x12” bundle!

recorded in a shaky makeshift chicken shack in rural maryland, link wray’s eponymous 1971 solo album is a compelling and forward-looking piece of honest, handmade americana. check !

thus far, 1985 music has boasted a number of releases as the new home of its founder, alix perez. till date, there have been releases from alix and a select few collaborators shades w/ eprom, taso (teklife) and skeptical (exit records). it is with the release of this ep where 1985 music present themselves as a platform for new talent. perez’s vision for 1985 is “...to push and support good, forward thinking music that i believe represents the focus of 1985..”. it is with this in mind that we proudly present the ‘hold me back’ ep from toulouse’s finest - monty. monty has already had support from noisia, kasra and skeptical and can boast releases of singles on critical music and invisible recordings. this 4 track ep is mature and refreshing, and has been received well whenever played out. the music is dark, dynamic, minimal and refreshingly modern.

emerging through storm-like waves of distortion, opener ‘alpha’ sets the scene for this beguiling cassette release, with melodies rising out of — and then descending back into — the chaos. ‘3000 years’ takes vocal samples as a starting point, before melting into layer upon layer of delay, after which ‘confounded’ picks up the pace with its heavily distorted beats and the side then closes to the sound of a distant choir burning in acidic ambience in the shape of ‘fruitless clicking’. the nightmarish, malfunctioning machinery vibes continue onto the second side, with the more dance oor-friendly ‘strange conversations’ and ‘the brink’ bookended by the two-part ambient epic ‘pale blue dot’. dark, glitchy, and at times outright uncomfortable — perfectly suited to the cassette format.

prisma - so lautet der vielversprechende titel von rea garveys drittem solo-album. und das nicht ohne grund. eroberte der charismatische ire bislang durch emotionale aussagen die herzen der nation, widmet er sich nun einem thema, das ihm ebenso wichtig ist: dem hinsehen, wachwerden und aufstehen.

check track 3 .... field records looks to l estasi dell oro (christopher ernst, aka penalune) for a new three-track ep for sound systems that once again takes us down the rabbit hole. following on from his previous i look upon nature while i live in a steel city album in 2015, this is another masterfully drawn out and engaging affair. -either to please or to educate- is the intended purpose of this ep release, utilizing guitar, tabla, and other electronic and acoustic instruments. the incessant movement of the metronomic tremors felt underneath our plains lay the rhythm. the threadbare dialogue we use to communicate frays slightly further. these spirals are given an explicit voice through leader annabelle kuwe s dispassioned public address to the remaining world at the great meeting of 2166, as recounted by sadie lapierre on closer achieve ignition .

a1 is a deeply psychotic acid death march into confusion, so minimal and primitive (kick, snare, acidsquelch) it will challenge every beard and armpit and might even hypnotize the dj to the point he cannot mix in the next one. a2 is a straight up commodore 64 sid track with mongoloid data elephants tooting over a wobbly and tarded electroish beat. b1 is a dystopic dreamy rave stomper, starting out kinda datacuddly but gets more and more serious, with choirs of fable mooers taking you into that virtual bad trip you need. b2 continues as expected with more c64 sid madness, so snary i cant even determine if its in 115 or 230bpm.

newly remastered release, pressed on 180 gram vinyl with download code included.

first anniversary re-press of bokeh versions long sold out 2nd release. glacial dancehall is the slowest dancehall mixtape ever heard. culled from his private 7inch archives, each side figures dancehall mutations, pitched and screwed by jay glass dubs hardware acceleration. jay glass dubs is an exercise of style by artist dimitris papadatos focusing on a counter-factual historical approach of dub music, stripped down to its basic drum/bass/vox/effects form.

the make mistakes gang returns with their second record in the form of remixes of roy england s techno rocker, photon. what you get here is a package of dance floor cuts showcasing the varied styles, and tastes of the crew, making this a versatile record that s gonna find a way to fit in where ever it s needed. on the a side we have a taste of attentat s signature sound: hypnotic, driving minimal techno. a slowly evolving meditation, this stripped down, pulsing jam will ignite the late night dance floor. an irrepressible tinkerer, roy england took the original, funked it up, worked it out, and streamlined it for peak time. in his remix, roy crafted a consummate party jam, steady, pumping, and full of life. with his remix, time for trees takes you on a psychedelic, housey frolic through the woods. what we have here is a slow building, mind-bending groove, wrapped up in cascading waterfalls of sound. the make mistakes label has built a diverse sound around a cohesive aesthetic. with the photon remixes, they continue that tradition, with style and depth, fine-tuned for dance floor lovers.

after his banging ep 1 on aus, tee mangos back for the 5th installment in his tribute project, inspired by the much referenced theo parrish quote: love of the music should be the driving force of any producer, performer or dj. everything else stems from that core, that love. with that love, sampling can become a tribute, an expansion on ideas long forgotten, reconstruction, collage. time is now time is now comes off like adamski era seal rerub for the small hours. replete with hypnotic looped piano and drums sounding like they were lifted from vaughan mason s raze house archive. simply sweet sweet electronic music. make it last forever the b side is tee mango on home turf, with a selection of choice samples under his cap (from a record you might recognise), some simple loose sampled drums and a smattering of dub delay. love for this series coming from: axel boman, benji b, artwork, fred p, and a heap of others. these tribute releases sell out pretty quick, my hunch is that these will not hang about.

when octo octa sent us the demos for her first full-length record since 2013, we were floored by how many tracks were single worthy. but, there was one that stood out as something entirely on its own, a song that in many ways sounded like nothing maya had ever released. since the beginning, we always knew we wanted to do something special with adrift, the 8+ minute space-age synth-dub techno tune. when we asked maya about doing a 12inch with remixes we were blindsided to learn she has never had any of her music remixed before. with some remixers in mind, she asked two of her favorites and they said yes. so, here we are to present hny-016 octo octa adrift, remixed by avalon emerson and dorisburg.

while frontiers currently seem to be (re)claimed and shutting down, we, at série limitée, prefer going against the consensus. we proudly launch the 10th release opening up doors to four new artists, deep88, sofotalk, kisk and the happy man. from italy to spain, our little musical caravan travels and wanders on paths and tracks made out of raw house beat leaves, fusion jazz trunks and deep groove fields, to bring to you this new va, our 10th, faithful to our long time recipe: 400 exclusive press. deep88 is officially in charge of welcoming you inside and of setting the tone. he will take you in with his track -wave house-. further up our musical trail, we ll start hearing the hints of the next step, our next stop: -more than a memory-, by sofatalk. on the road again, and we head to the b-side of things. we stay in close connection with italy with -clean up & down- from kisk. there is no good party without a great closure, and it s all even better with the happy man, closing the journey with -pizza hug-.

limited reissue on turquoise coloured double vinyl of kid rock’s 2001 album “cocky”.

eine fantastische 10” vinyl des jazz saxofonisten »the sound« stan getz. inklusive »on the alamo«, »it might as well be spring«, »fools rush in« und »out of nowhere«.

ghosts inside stands as ekin fil’s most arresting recordings to date, written during a period of personal despair with an oblique poetry of sadness cascading through the songs. it’s an introspective sound, completely turned in on itself and tuning out the socio-political tumult of her native home in istanbul. in confronting psychic distress, heartache and depression, ekin fil blocks out the rest of the world to concentrate on the immediate issues of human relationships and their many complications. allusions to catharsis flicker through the sullen, narcotized beauty of ghosts inside, updating the mood found on those classic 4ad albums of the 80s (i.e. garlands, it’ll end in tears, lonely is an eyesore, etc.) orbiting the spheres of grouper, lovesliescrushing and stars of the lid.

blind box heads julien sandre and konstress know a thing or two about deep, undulating house grooves, and their continued exploration of immersive cuts for hidden corners of the dance yields further delights on this sixth instalment in the blind box series. the first side of this 12- finds the two label bosses twisting out immaculate jams shot through with playful sound design. -would- locks into a subtle swing and revels in lopsided synth stabs, while -hedone- plunges into a stunning intricate techno landscape peppered with glitchy tones. on the flip, julian alexander follows suit with the crisp, funky -baku man- and the more experimental tones of -casserole-.

the fourth release from gardens of gods imprint sodai is the barcelona based, egyptian dj and producer raxon with his &#8203,,,detla ep&#8203,,. a trend-setter, the former-architect exhibits a cogent production style making him an fitting addition to the label. a special track for raxon, &#8203,,detla was created en route to cape town for a big festival. i thought i would need to make some changes after the show, as is often the case, but the track worked, so i left it exactly as it is in its first original arrangement&#8203,,. &#8203,,which any producer will know is rare&#8203,,. the ep kicks off with an enticing intro, growing layer by layer with a detailed arrangement of ethereal synths and minimalistic percussion. a full breakdown mid-track leaves you craving more, before the final drop in all it’s stomping glory. on the flipside, &#8203,,jungle express &#8203,,features a hastier intro and a balearic-inspired drum pattern. a siren hooks you in as it drops into a bass-ridden techno roller. raxon &#8203,,has &#8203,,received critical acclaim east of the mediterranean, boasting best dubai dj in 2013/14 by time out dubai. developing and collaborating, raxon has continued to develop his career working with imprints and artists including ellum and diynamic. catching the eye of tastemaker john digweed, raxon has featured as a special guest on his transitions radio show twice cementing his place in the techno scene.

key uk house player richy ahmed is next up on play it say it with a standout twotrack ep that proves just why he is such an essential talent. ahmed is currently in the headlines for his four thirty two label, which has put out some of his own great music and will a&r plenty from his peers in the future. it has also spawned a big party in ibiza at privilege, and has hosted events from glasgow’s sub club to leeds’ mint club. all this comes after years of richy headlining all over the world and working with labels like hot creations and crosstown rebels. now really into his stride as a producer, his latest is sure to rock floors worldwide. up first is the big and bombastic kimalaya with its tribal tinged and jumbled beats and big woodblock hits. wordless chants also join the groove, and the looseness of the whole thing is what will ensure it really gets the dancefloor going. add in diving bass notes and some clever breakdowns and you have a sure-fire recipe for success. just as infectious is come with us, a more nimble and peak time tune with lively synths darting and jumping about above techno leaning drums. its a freaky cut with inventive synth patterns that really get under your skin as it rumbles on. with these latest tracks richy ahmed once again offers up some truly fresh house perspectives

techno, disco, italo, electronics, house, library, cosmic and ambient frequencies - these are the bedrocks of the midnight drive ethos and sound. a label shining a light on overlooked or unheralded creations and respectfully reissuing them for the contemporary audience. a label that respects and understands the connection between these disparate and sometimes forgotten forms of musical expression and celebrates them. drive001 sees us step back to 1998 and into the hands of the duo of damon wild and mederic nebinger, recording together as blue maxx they quietly unleashed some of the finest futuristic widescreen techno and electro to emanate from nyc in the late 1990 s. utilising a small sub-label of wild s seminal techno imprint synewave called deja vous the pair embarked on a slew of ep s released over the space of a couple of years with private life being one of the last. across 3 tracks private life opens up a new sound world, from the driving, tool-like qualities of the a-side cut - all swinging drum programming, synth stabs and deranged metallic percussions to the deeper, more clandestine leanings of the b-side tracks, mining a more musical and electro infused vein, the whole ep stands out as something truly original. a hallmark of the blue maxx sound. this is the first time private life has been reissued, almost 20 years has passed and somehow wild and nebinger s style remains utterly fresh and contemporary. a truly rare and essential piece of hi-tech techno expression that could easily have been released this week. such is the quality on display within these grooves. remastered by curvepusher. artwork and design by atelier superplus.

for our next fina records release we welcome french native closed paradise… closed paradise has been on our radar for a while after hearing releases on fools & fables, kolour ltd & whiskey disco. his unique (and mainly vinyl only) productions have featured heavily in our sets over the last few years, if you are familiar with his vibe you’ll know his tracks have a certain french finesse, and these are no exception. so we are extremely happy to finally put this out and add closed paradise praise ep to the fina family.

mathematics celebrates more than 20 years with previously unreleased adonis gems “after midnight” & “brothers gonna work it out” featuring the late great daryl pandy from 1987.the after midnight ep is greatly appreciated in these times of oppression & anger.

special sales pack for all you afro vision lovers out there - contains three classic releases:
- av001: joe jam ft. d. preacher - we will celebrate
- av004: tatjana orffe meets jocelyn brown - black skin blue eyed boys
- av005: jonathan ulysses meets joe samba jr. - all i want is you

special double pack for all you alma soul lovers out there - contains 2 classic releases (asm001 & asm002).

cocoon recordings presents cor12146, the dignified follow-up 12inch by rico puestel that we were waiting for so long. cocoon head sven võth himself is dropping caravel for quite some time already and the godfather of german techno smashes floors around the globe with this hot and dirty bombshell. take all of the rocking techno ingredients that you loved so much over the last decade and you get a melt down of dustin zahn, industrial strength soundhack and many more milestones to nameà however puestel created a very unique own style out of all these influences and the result is simply outstanding. sven played the acetate of this so often that we even had to cut a second one. techno-trainspotter worldwide went mad for this one and were killing us with their requests and track-id inquiries. the wait is over guys! caravel and est (on the flipside) are two cutting edge techno monsters that hold enough energy to power your car, your computer, your phone, your lifeàwe cannot imagine what rico will show us next

sydney’s post pluto are back with the debut no doors ep from riggles, a four track blend of crunchy beats and dusty house grooves. doomsday takes us back to 99 with a sun drenched edit of the classic mf doom beat. shine follows with a bass heavy groove and stretched out vocals. on the flip, perfect day gets moody with textured drums and back alley sax solos. sydney duo, sonderr, are on remix duties with a melancholic approach to shine, bringing it to a darker club atmosphere.

three is truly the magic number on this special rsd release from razor-n-tape, with a trio of groovy tracks by nashville-based magic in threes. the original version of beatin tha breaks is an easy-breezy affair dripping with soulful guitars and harmonies, freddie joachim s brings his signature smooth and rhythmic sound on his remix, and the fouk mix rounds out the triptych with a touch of uptempo housey deepness.

limited edition double vinyl re-issue of duran durans self-titled debut album from 1981. the second 12 inch features 4 extended mixes of *planet earth* and *girls on film*, 2 of them previously unreleased.

limited white vinyl anniversary release of whitesnakes 1984 album *slide it in*.

the real thing (1989) turned out to be faith no mores most aptly named record as it presents the bands most revered line-up. mike patton on vocals proved a massive improvement on their previous singer. added at the last moment to complement a set of strong, funky songs, he joined roddy bottum on keys, jim martin on guitars, bassist bill gould and mike bordin on drums. the hit single epic proved to be just that, and is one of the most recognizable faith no more songs in their repertoire

nice price deal !!! devnik (bart) is an electronic music from the netherlands. devnik started producing in the late summer of 2008, just as a joke. as time passed, the music got better and better. first being into electro fidgety beats and getting signed on the english electro label live-in music, he eventually found out about a thing called dubstep. dubstep now is his main goal, already being signed to dubline audio and having played along the likes of funtcase, cookie monsta, borgore, unitz, subscape, crissy criss, koan sound, ganja white night, sinister souls, osiris, vyron, switched sources and more, devnik is ready to destroy the dancefloor.

the debut vinyl release from label supervoid records, out august 21st, 2017, has already made some waves, with two of its three tracks finding their way onto several prominent mixes, including ben sims -run it red- and resident advisor s 513th podcast, performed by markus suckut. the release has also been given the nod by other heavy-hitters, including members of the droid behavior crew and a berghain resident. label owner and artist dustmite has been remixed by audio injection and long ago, distance. his track bare appeared on photek s dj kicks.

d-operation drop is a 6-man crew from cesena, italy with a strong and growing catalog of sound system killers, from orthodox steppers to dubstep abstractions and strange hybrids of the two. recent releases on moonshine, artikal, and lion charge have cemented their position, and we are thrilled to invite them into the zamzam fold with two chunks of 140 weight. “warrior march” opens with a mesmerizing pad that immediately draws the unsuspecting into a unique soundworld and doesn’t let go til the runout groove. a smeared, chopping-block snare, deep subsonic rumblings, swung percussion, massed yet minimal horns make a darkly coiled track, menacing yet full of funk and movement. “sativa team” captivates just as deeply with fewer moving parts, loping drums and leaden percussion, churning bassline, chopped and glitched ja-voices and sound tape, and ominous, clipped horns that wobble with tape delay in a strange airless void. brooding yet cathartic, tripped out but fully physical, with both tunes d-operation drop display their total control over a restrained and powerful palette.

progressive electronic duo, formed in 2016 by seasoned beatsmith tsuruda (darker than wax, team supreme, division) and experimental artist huxley anne (dome of doom/alphapup), paint incorporates all aspects of both member’s creativity. the duo was inspired as the two were coming up in the la beat scene, often adding visual elements to their live performances while writing genre-defying songs in the studio. their style draws largely on abstract hip-hop, jazz, bass, and grime influences, but unites these elements into seamlessly painted soundscapes that stand out in the modern sea of electronic music. their powerful rhythms, colored nuances, and expressive lead synth tones ignite in the paint live show, where you can often find the duo mashing custom visuals together while spinning tracks back to bac

180 gram heavyweight vinyl pressing, download code included.